Originating from Holmfirth, Yorkshire, The Laikers are an upbeat indie-pop band renowned for their lively performances and distinctive sound. They not only play great covers but also write their own music that really shows who they are as a band. Their new track, “Faker,” focuses on the idea of being let down by celebrities who pretend to be something they’re not. It’s a song about betrayal, disappointment, and trying to figure out who you can actually trust.
The track leans into an indie-rock style, built around a strong, catchy guitar riff and powerful vocals that give the song a real sense of impact. The energetic drums and clear production help the track feel bold and direct, matching the message of the lyrics. Overall, “Faker” shows how The Laikers can mix meaningful themes with a punchy, enjoyable sound that sticks with you.
“The DF” by Dean Antoniis a thoughtful and emotionally resonant track that blends introspection with a gentle sense of movement. Rooted in a modern singer-songwriter style, the instrumentation creates a warm and steady backdrop for the story being told. Soft guitar or piano lines sit beneath subtle atmospheric layers, giving the song an open, spacious feel that allows the emotion to come through clearly without ever becoming overwhelming.
The lyrics focus on recovery from addiction, adding even more depth to the track. Antoni’s vocal delivery carries a sense of vulnerability and honesty, as if he’s working through the lingering weight of past struggles. There’s a bittersweet tone in his voice—reflecting the pain of what he’s been through, but also the cautious hope of moving forward. The pacing is unhurried, allowing each line to settle and providing space for the emotional gravity of the subject matter. Subtle harmonies and gentle rises in the arrangement highlight moments of reflection, strength, and uncertainty. The track ultimately feels like a quiet statement of resilience. It captures the complicated process of healing—acknowledging the darkness while still choosing to grow beyond it.
The lyrics focus on recovery from addiction, adding even more depth to the track. Antoni’s vocal delivery carries a sense of vulnerability and honesty, as if he’s working through the lingering weight of past struggles. There’s a bittersweet tone in his voice—reflecting the pain of what he’s been through, but also the cautious hope of moving forward. The pacing is unhurried, allowing each line to settle and providing space for the emotional gravity of the subject matter. Subtle harmonies and gentle rises in the arrangement highlight moments of reflection, strength, and uncertainty. The track ultimately feels like a quiet statement of resilience. It captures the complicated process of healing—acknowledging the darkness while still choosing to grow beyond it.
Carol not only plays in many other bands but tours solo with just her and her piano (a powerhouse duet). Carol was born with only seven fingers and yet defies all with her empowering music. Alongside her band, they write songs that tackle challenging topics like mental health. The Carol Hodge Band are a joyous and feisty Alternative Rock four piece (drums, bass, guitar, keys), who were recently described by Classic Rock magazine as “”combin(ing) fat, fuzzy guitar grooves with splashes of synths…clever proggy pop rock bursts and almost Alice In Chains-y shadows…eccentric and unpredictable, in a way that feels totally natural.”” They are confirmed for quite a few festivals in 2026, including: Bearded Theory, Rebellion Punk Festival, Ey Up Mi Duck and Nah Then.
Their song ‘Small Crumbs’ is about not accepting the crumbs of life and searching for the self-confidence to expect more. Thick, heavy bass opening sets the vibe for the track from the very first note. As well as this, the strong female vocals are empowering to the listeners and emphasise the theme of the track beautifully. The lyricism uses metaphors to inspire their listeners not to accept less than they are worth.
The Wilson’s Republic WRXL event, which celebrated a decade of fostering creative community with the theme of ‘Routes,’ culminated in an absolutely electrifying private afterparty at Amped in Huddersfield.
Seamlessly transitioning the day’s inspiration into a night of community and celebration, the party was curated by us, transforming the venue into a powerful showcase for local talent. Attendees were treated to a diverse and gripping line-up that kept the energy high well into the night. Highlights included the beautiful, honest songwriting of Good Good Blood, the alluring and soulful sounds of vocalist Hannah Rowe, and the complex, yet highly danceable, Psychedelic Rock fusion of Don Gonzo. The celebration reached its peak with Therealdemo, a staple of the West Yorkshire scene, spinning classic and new Funk, Soul, and Hip Hop that kept the floor moving.
Take a look at the Highlights from the event below;
More than just a concert, the afterparty was the perfect, vibrant finale—a powerful demonstration of the collective spirit of the Northern creative scene and a truly triumphant way to cap off Wilson’s Republic’s 10th-anniversary celebration.
Additionally take a look at the highlights from the day event at Bates Mill featuring six speakers from different creative disciplines, they delivered heard honest, inspiring and beautiful interpretations of the event theme ROUTES.
Missed WRXL? Don’t worry – we’ve got the soundtrack. A little gift from us to you.
If you couldn’t make it (or just want to relive the event), we’ve got an official WRXL playlist – featuring the incredible artists who brought the afterparty to life.
Plug in, press play and keep the WRXL energy going 🎧
So this one time while practising in our tiny rented mill space, we came outside for a smoke break and were met with a flaming industrial sized skip, the flames reaching 20-30ft high…
We try to make this process as organic as possible, as we know we all have our own distinct individual styles that we like to nurture as much as we can, so that it shines through in each song and gives us a sound that is hopefully distinctly ‘Lomens’.
Generally speaking, one of us comes to rehearsal with a very loose idea, whether that be a vocal melody, a guitar riff, a chord progression on the synth or even just a groove with drums and bass
We then most of the time sit on that idea and jam it together as a band and see where it takes us. Sometimes it naturally forms itself into a song very quickly. Unplug the Earth was like this, for example! Sometimes we can spend weeks/months exploring lots of possibilities and really refine each section as much as we can.
The main thing is just trying to keep things as organic and fun as possible!
Who is your biggest influence? Now this is always a tough one as we’re all pretty nerdy with music, ha! What we get compared to isn’t necessarily what we listen to, and we all listen to quite an eclectic mix of music!
Vocally, Chris (lead vocals) takes a lot of inspiration from bands like Everything, Everything and Kid Kapichi. Some of us are pretty big fans of Radiohead, and there’s some Muse thrown in there too, a little bit of Prog as well, Porcupine Tree, TOOL, Leprous, The Mars Volta, Deftones.
Jordan (Drums) tends to have a raw attitude towards the drums, where he can, early Nirvana and The Melvins spring to mind, but again, the eclectic taste comes into play, and there’s also some Latin and Samba influences, especially coming from Tom! (Synths & Percussion)
These are just some influences that spring to mind, but as we’re all just massive music fans in general, it tends to make for some interesting jams and songwriting; we wouldn’t have it any other way!
Do you have any pre-gig rituals? We tend to try to run the set in our studio on the day, get ourselves nicely warmed up, a couple of pints and seeking out some cool food doesn’t go amiss!
What’s the best gig you’ve ever played? This is a difficult one; we’ve not played that many yet in the grand scheme of things, as we’ve only been active just over a year. There have been 16 gigs in that time, and we’ve played 3 headliners in that time (Parish, Huddersfield), Oporto, Leeds, Grass Fed 1 at Picturedrome, Holmfirth), so it would have to be one of those; they’ve all been equally fun and with some great supports!
What’s next for you guys? Write. Write. Write. We only have 4 singles out, and we just need to get more music out there! We’ll still be playing some shows in between, but the focus is definitely on increasing our repertoire and output. Expect an EP after our next single. We also have a Headline show at the new Parish space, Amped! on Mad Friday (December 19th) with support from Pageant Mum and Slipped Disco, that will be a big end-of-year party and a great way to see the year out!
How would you describe your new single, ‘Kinetic Currency’? Big! Our most out there song to date.
It’s got a punky edge to it with some proggy elements interspersed throughout. Also, a screamer of a riff at the end! We’ve recently been able to get our bassist, Josh, onto guitar as we’ve welcomed a new member on bass (Andrew Parkinson), so we’re now a 6-piece dual guitar assault on stage!
Kinetic Currency is an observational anthem told through the lens of a working-class person in Britain in 2025. Through some vivid lyrics and striking imagery, the song captures the struggle to rise above the noise of modern life’s complexities, seeking simplicity whilst desperately trying to avoid unnecessary confrontation and stress.
We’ve kept it politically neutral, presenting observations without aligning with any cause. It’s simply what we see on a day-to-day basis, whilst most people are skint yet forever being bombarded with grandiose political movements and news cycles, whilst simultaneously struggling with the normality of everyday life. It’s not a commentary; it’s an observational piece about the everyday rat race of Modern Britain. We invite people to find their own meaning and use their own lens to establish their relationship with the song.
LOMENS is for everyone.
Kinetic Currency, is out now on Spotify and many other major streaming platforms.
Mick started his musical journey thanks to his enthusiastic and supportive music teacher in high school. Since then, he has performed countless gigs at college and uni, developing his stage presence and lyrical prowess. “I have always listened to music, everywhere I go it’s part of me and will always stay with me.”
Breaking through the Northern indie scene are four-piece indie-rock band Joey’s Knuckle. The band’s name reveals the unpredictable punches life throws at you, with emotional lyrics layered over their fast-paced, evolving sound. The new single ‘Love’ further explores complexities of a messy, modern romance. It’s undeniably dangerous and their loudest project to date. Lead guitarist Fen comes to define this song as he drives us into the verses and chorus where the vocals gain momentum and always return crashing back with grit and a grooving bassline. Following this, the bridge encapsulates a conversational discourse between lead vocals and that familiar guitar. Then both parts cross over and build argumentative tension before breaking away into a final harmonic chorus which pulls the listener along.
The music is chaotic and volatile when it matches its intense lyricism, but the instruments do well to capture listeners and always keep us engaged. “Love” exists in its own complex liminal space, between an unstable relationship and its indefinite heartbreak. The band says, “we’ve all been through versions of this story”, a relatable need but not a want to let go. These universal feelings engrained into their energetic music is just another reason why Joey’s Knuckle are meant for a live audience. It’s intoxicatingly honest, and what everybody needs blasting through concert loudspeakers or their headphones on a late-night walk home.
