Hannah Rowe & Ibibio Sound Machine tear the roof off at Parish
The Parish in Huddersfield, known for its intimate, energetic atmosphere, was the perfect crucible for the sonic fireworks delivered by Ibibio Sound Machine on Friday night. It was an evening that started in soulful reflection and exploded into a joyous, sweat-drenched dance party, proving once again that the best nights out are those where the walls feel like they’re breathing along with the crowd.
Support: Hannah Rowe—A Local Star Shines Bright
Leeds based and Kirklees Most Wanted alumni Hannah Rowe set the bar high, proving exactly why she’s generating so much buzz. Trading the massive festival stages for the confines of The Parish, Rowe’s powerful, soulful voice filled every corner of the room. Drawing heavily on her jazz and soul influences, she delivered tracks like the reflective “Bellevue” and the massive “Waistcoat” with an emotional depth that belied the venue’s small size. Performing with a scaled down outfit from her normal 10-piece band they managed to create a sophisticated, layered soundscape that was both rich and intimate, providing a perfect, locally-sourced dose of warmth before the main event.
Headliners: Ibibio Sound Machine
When Ibibio Sound Machine took the stage, the vibe shifted instantly. Led by the magnetic Nigerian-British vocalist Eno Williams, the eight-piece group immediately plunged the packed room into a mesmerizing blend of West African highlife, post-punk electronica, and pure 80s synth-funk.
Williams is an unstoppable force of nature, narrating in the Ibibio language (often translated in real-time through her movements and sheer energy) while commanding the stage. The band’s setlist, featuring fan favourites like “Electricity,” “The Chant (Iquo Isang),” and the hypnotic “Protection From Evil,” was a masterclass in controlled chaos. Each song was a vibrant, polyrhythmic workout, driven by the relentless, propulsive basslines and the swirling, retro synthesizers that give the band its distinctive electronic edge.
The Parish’s relatively small 300-capacity room amplified the intensity; there was no room to stand still. By the time the band launched into the irresistible call-and-response of “Fire Fire Fire, Higher Higher Higher” the floor was a unified mass, hands in the air, echoing the sheer joy radiating from the stage.
The Huddersfield crowd’s embrace of the band’s global sound was a testament to the universal language of rhythm. Ibibio Sound Machine didn’t just play a gig; they curated a transcendental experience that lifted the spirits and left everyone feeling like they’d just participated in something primal and necessary. An unforgettable show, cemented by the raw energy that only a venue like The Parish can provide.
Photos by Zak Brierley
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