The surfer vibe is well and truly at home in “I Scream Headache.” A crowd pleaser through and through, with moments clearly made to be screamed in a live audience, this tongue-in-cheek song is pleasantly energetic and irreverently fun – made even better by the surf-rock warbles and pitch bends.
The lyrics are particularly evocative, telling an urban-legend-style tale of a demon ice cream man trading souls for “sweet, sickly” ice cream that makes “everybody lose control”. The manic, train-rattle guitar riffs are hard to resist tapping your foot along to, as are the crashing symbols of the chorus – and the song gets bonus points for using the word “saccharination” in a completely fitting way.
The reverence Zero and the No-Nos has for the 50s rings loud and clear with this spooky, fun track that’s as sweet as ice cream but without the brainfreeze.
The first thing you’ll notice about “Charlie Sheen” is that killer hook sang against a choral melody that’s immediately inviting. Then, the blaring bassline comes in, riffing like a punk-rock “Walk Like an Egyptian”, you start humming the punchy vocals, and suddenly, you have a brand new earworm.
“Charlie Sheen” was featured on BBC Introducing (Leeds and Sheffield), and it’s easy to see why. Thumping, bassy, and ever-shifting – “Charlie Sheen” is an unapologetic riot with a very crunchy guitar. The lyrics – a declaration of being flawed but perfect – are snappy and memorable, complementing the hard riffs especially when the dual vocals kick in.
Gritty and gratifying, “Charlie Sheen” is an instant mood lift for alt-rockers and begs to be heard live.
Heartfelt and soulful, “Perhaps I Have The Power” is a sweet and simple folk ballad and a plainly raw acknowledgement that things will be better. Brazil’s low and thick vocals and honestly hopeful lyrics make for a powerfully uplifting core, and the bassy guitar strums and thumping percussion coalesce into a pleasantly soulful sound to accompany it.
Brazil’s love for music is evident in the deceptively strong production – including background choral vocals, warbling Mellotron, and subtly mixed bass – which compliment the core song without tainting the simple, folksy sound. That, and the heartfelt declaration that “music is always around when you’re feeling down.”
I can’t think of a better example of that sentiment than “Perhaps I have the Power”
Prepare for an unforgettable night of live music as the Kirklees Most Wanted Showcase lights up The Terrace in Dewsbury on February 20th. This eagerly awaited event will spotlight an amazing lineup of homegrown talent, offering a dynamic mix of genres and an electrifying atmosphere for music fans.
Joining us on stage are 4 exceptional acts, each bringing their own unique flair;
Eve Joné
Eve Joné is an emerging Indie-Folk/Folk singer-songwriter from Huddersfield who is committed to creating music that is a “true and genuine expression of who she is,” drawing influence from artists like Noah Kahan and her parents’ musical background. Her deeply personal and lyrical music often tackles complex emotions, notably in her album, The Water And The Trees (Live). This work features the song “Our Time,” which she describes as a “three-minute-therapy session” that addresses the emotional complexities of feeling undervalued in relationships. Having recently finished her studies at CAPA college, Eve has dedicated herself fully to her music career, successfully performing at her first festivals, including the main stage at Todmorden and slots at Holmfirth Folk Festival and supporting Good Good Blood for his recent album launch party.
Simon Walker
Simon Walker is an award-winning singer/songwriter from Kirklees, specializing in Indie-Pop and Acoustic Rock, known for his powerful, uplifting sound. A seasoned professional performer, Simon’s music is often inspirational, with tracks like the anthem “In Your Eyes,” which encourages individuality, and “Worthless,” a message of resilience against self-doubt. His talent has captured significant attention, leading to a collaboration and songwriting trip to Spain with Justin Hawkins of The Darkness, and securing a coveted spot at the UK festival Bludfest by the event’s organizer, Yungblud. Simon is currently finalizing his highly anticipated debut album.
Penny
Penny is a rising singer-songwriter from Huddersfield known for her unique brand of Dream-Pop and Electro-Pop. She pairs sweet, alluring vocals with vulnerable and candid songwriting, using the creative process as a form of therapy. Her music, which includes singles like “Sad Puppy,” “Ur Girl’s Fine,” and “Outside,” explores complex narratives such as processing jealousy, toxic relationships, and self-worth. Penny’s sound is characterized by a low-key groove and compelling seductiveness, finding a “tranquil beauty” in heartbroken narratives that resonate strongly with listeners.
Don Gonzo
Don Gonzo is a high-energy band that delivers a punchy and unpredictable blend of Psychedelic Rock with influences of Post-Punk and Funk. They are recognized for their driving rhythms and unique, complex sound that is highly danceable and entertaining. Their standout track, “Quit Your Job,” is delivered at breakneck speed, featuring rapid percussion, electrifying jazz chords, and a post-punk riff. The simple, repeated line in the bridge—”quit your job, it won’t do no harm”—highlights the song’s effective anti-establishment message. Don Gonzo is a prominent, engaging act in the local music scene, having previously performed at events like the WRXL Afterparty in Huddersfield.
Fiesta La Ginger
Throughout the night, there will be DJ sets from Fiesta La Ginger, opening up the event and filling the spaces between the live acts and keeping the energy high.
Don’t miss this extraordinary night of music and discovery.
The Kirklees Most Wanted Showcase is more than just a concert—it’s a celebration of the thriving music scene in Kirklees. By providing a platform for local artists to shine, this event highlights the incredible talent within the community and offers audiences the chance to discover their next favorite act.
Prepare for an unforgettable night of live music as the Kirklees Most Wanted Showcase lights up The Northern Quarter in Huddersfield on January 10th. This eagerly awaited event will spotlight an amazing lineup of homegrown talent, offering a dynamic mix of genres and an electrifying atmosphere for music fans.
Joining us on stage are 4 exceptional acts, each bringing their own unique flair;
Rillington Place
Rillington Place is an alternative metal band that has been featured on the Kirklees Most Wanted playlist with their track “Lament.” The band’s name is inspired by the notorious street where Jack the Ripper committed his crimes, following a similar naming convention to a band they admire, Whitechapel. Their focus is on creating new music, with an EP expected after their next single, and they are active in the live circuit, including a headline show at Parish’s new space, Amped! in Huddersfield.
Eskar & Micky Swags
Eskar is an impactful, fiercely independent hip-hop artist, songwriter, and label owner (Nuke Fam Records) from Huddersfield, UK. Known for his dense lyricism and genre versatility, Eskar is a prominent figure in the UK underground rap scene and was featured on the Kirklees Most Wanted playlist with his track “Kaiju.” In 2024, he released the widely acclaimed album Thy Flesh Consumed, which featured powerful collaborations with artists like Celph Titled, Tonedeff, and his frequent partner Micky Swags. The album also contained the track “116 123,” a vital song promoting a mental health message by sampling the last voice notes of a friend.
Leo Brazil
Before you ask, it’s not a stage name! Leo Brazil has been writing and recording his own music since he was a child singing into a tape machine. As well as drawing on his love for classic pop, rock and roll and soul, Leo draws inspiration from animals with songs that connect personal emotions and experiences with stories from the natural world.
Leo works out of his home studio and is developing a unique and colourful evolution of sound that mixes acoustic, folk, rock and psychedelia.
Leo is a multi-instrumentalist and in the studio plays keyboards, drums and violin. Live he mostly sticks to guitars and banjo where he draws on his big repertoire of self penned songs, equally comfortable with low key acoustic ballads or foot stomping energetic numbers.
Sophie & Songs
Sophie & Songs is an independent singer/songwriter who focuses on folk music and is currently studying music in Leeds. She uses writing and performing for self-expression and self-knowledge. Her songs, such as “Denial” and “Love Betrayed Me,” are described as hauntingly beautiful folk tracks featuring mesmerising acoustic guitar and stirring harmonies, appealing to listeners with their stripped-back, authentic, and vulnerable style.
Fiesta La Ginger
Throughout the night, there will be DJ sets from Fiesta La Ginger, opening up the event and filling the spaces between the live acts and keeping the energy high.
Don’t miss this extraordinary night of music and discovery.
The Kirklees Most Wanted Showcase is more than just a concert—it’s a celebration of the thriving music scene in Kirklees. By providing a platform for local artists to shine, this event highlights the incredible talent within the community and offers audiences the chance to discover their next favorite act.
Don’t miss this extraordinary night of music and discovery.
Chaos! I released my second album, “He Called Hex”, at the start of the year, and that whole thing feels like an entire lifetime ago. Since then I’ve pretty much been juggling working on this new album on and off with many, many, Uni deadlines, as I’m just now going into my final year as a music student. I’ve also taken on some of my first soundtracking jobs, been playing in our band Nuclear Fishing, produced some songs for other artists and, in my few minutes of non-musical spare time, have recently been getting into watching anime for the first time. So musically speaking it’s been a lot, and that’s not even counting keeping my own personal life in order! But I’m at a point now where I’m absolutely on fire with making and promoting my music and am just so excited to put all this stuff I’ve been working on out into the world.
How did you first get into music?
I had piano lessons from a pretty young age, which gave me the majority of my background in theory – however, I never really had too much knowledge or interest in producing my own music as a whole until the 2020 pandemic hit, and I was trapped inside with nothing better to do. A friend and I wanted to make some crappy Soundcloud rap as a joke, so I downloaded initially Audacity and later FL Studio to help facilitate this, essentially teaching myself how to make trap through YouTube tutorials. As time went on and I got more to grips with the ins and outs of actually producing music I started to realise I could try and develop a sound of my own, and eventually picked up the guitar and started writing more demos. Probably my first fully realised song using my voice didn’t come until “Weightless” (featured on my first album) in 2023, at which point I knew it was something I wanted to embrace.
What was the process for creating your sound?
So building on that a lot of my early works spawn from a weird cross section of influences – my piano writing, which leaned more classical and soundtrack-music inspired, my production skills which leaned more towards modern hip-hop and my songwriting itself which gravitated towards emo and other left-field online singer songwriter-y stuff. On my first album you can hear all those sounds kind of thrown at a wall at random since, while I’m still really proud of that record, I’ll admit I didn’t exactly know what I was doing! At this point, the influence of a lot of fifth wave emo and similarly online rock and shoegaze began to take ahold of me, and you can hear me trying to emulate these very noisy and chaotic mixes. Only on my more recent material, like on Hex, have I been able to wield these influences with a bit more intent. It’s also helped that I’ve spent a lot of time improving my skills on guitar and finding tones and mixing techniques that I like for the instrument – although, I should say, my next album maybe strays away from the guitar a bit more than the last couple and veers back towards the piano, so to an extent it’s like I’ve come full circle.
Who was your biggest inspiration?
Honestly, it changes every month, but I think the artist who really inspired me and pushed me to start writing songs for myself was Parannoul. I massively admire how his early albums were somehow made entirely in the box, with his vocals recorded on an old Samsung phone, and yet it’s some of the most emotionally raw and compelling shoegaze music out there. I know I’m not alone in taking influence from him, but the fact he was able to make such a resonant record on such a shoestring budget is a testament to how far music production has come in the digital age, and really convinced me that maybe I can do it too. I have so many online generation artists to thank for this kind of inspiration; Asian Glow, what is your name?, acloudyskye, Vylet Pony, even P.Rosa who I collaborated with on my last album – there’s an incredible wave of creatives who started out as just kids writing songs in their bedrooms and again it’s impossible to hear some of this music and not be desperate to write your own.
Which song best represents you musically to date?
Maybe “Softly, Softly”, one of the non-album singles I put out during the summer – I think it’s maybe one of my most direct songs, but it encapsulates a little bit of everything that I’d done up until that point. It’s got a dark and gloomy atmosphere, some super noisy yet blissful guitars, tortured vocals and lyrics and even some of the weird left-field electronics, all packaged into a little bundle under 3 minutes.
Which song has been the easiest / hardest to write?
There’s a song on my next album called “Ever Turning Field” which is by far the hardest song I’ve ever had to put together for a number of reasons; not just because it’s 8 minutes long or so but also because it’s a massive dirge of emotions that I still haven’t quite managed to wrap my finger around. It’s the one time in my career so far where I’ve put together a song that’s larger than life – it feels like I’m trying to confront something unknowable throughout that song, which I hope will make sense within the context of the record when it eventually comes out.
Which song is “the one” that turns listeners into fans?
I’d like to think my new song “I’ll Be There”! Maybe it’s recency bias, but I feel like people who might have been curious about or enjoyed elements of my music in the past, maybe even people who didn’t like my last album, can hear it and get the impression that this is Kit Le Bihan 2.0 so to speak, and that now’s the time to really start taking note of my music. It’s why I think it’s a perfect single – it’s got elements of my first 2 albums, but a new layer of tenderness and clarity that I think maybe they lacked at points.
Do you have any favourite quotes/sayings?
“…even if something is a lie, even if it’s fiction… If it has the power to change the world, then it must contain some kind of truth. Aren’t we proof of that?” – Shuichi Saihara
What does the future of “Kit Le Bihan” look like?
Aside from my own university deadlines, I’m currently hard at work putting the finishing touches on my next album, which will come out in 2026. I started writing it sometime towards the end of 2024, and had envisioned it to be my “rock” album, but as time went on it actually ended up being my most electronic and piano-leaning album yet! I feel like every record is a bit of a left turn for me, but all I want to say is be prepared for something different, something more gentle and yet more emotionally intense, something brighter and yet more heartbreaking. Oh, and some more weird genre combinations – there’s bits of synthpop, EDM, indie rock, folk, even a bit of glam. I’m also really hoping to play some more live shows – I did one which was streamed live on the Live forever twitch and had such a great time doing it, so I really think I’d like to try and carve some opportunities to play my songs a bit more in the live space in person.
What are your next steps to get there?
Lots of work and promotion! It’s no secret that it’s always gonna be hard to carve out a niche for yourself as an indie artist, but I really think I can build on the steady growth I’ve had this year and do something really special in 2026.
After gigging up and down the country, Simon Walker eventually caught the attention of major artist Yungblud, earning himself a coveted spot at the UK festival Bludfest. This breakthrough marks a significant moment in Walker’s growing career, bringing his music to a much wider audience and cementing his reputation as an emerging talent to watch. With a track as striking as In Your Eyes, it’s no surprise he’s stepped into the spotlight.
The song carries an uplifting, inspirational message, encouraging listeners to embrace who they are without apology. Walker reminds his audience that individuality is something to celebrate and that choosing to be different is a strength rather than something to hide. Rooted in the indie-pop genre, the bright, melodic production and shimmering instrumentation perfectly complement the track’s hopeful spirit.
The standout lyric “be who you want to be” reflects Walker’s dedication to creating music that spreads positivity and reassurance. His ability to blend meaningful themes with catchy, accessible songwriting allows In Your Eyes to resonate deeply with listeners, offering both comfort and motivation. It’s this combination of authenticity, emotional honesty, and musical charm that continues to fuel his rise in the UK music scene.
Originating from Holmfirth, Yorkshire, The Laikers are an upbeat indie-pop band renowned for their lively performances and distinctive sound. They not only play great covers but also write their own music that really shows who they are as a band. Their new track, “Faker,” focuses on the idea of being let down by celebrities who pretend to be something they’re not. It’s a song about betrayal, disappointment, and trying to figure out who you can actually trust.
The track leans into an indie-rock style, built around a strong, catchy guitar riff and powerful vocals that give the song a real sense of impact. The energetic drums and clear production help the track feel bold and direct, matching the message of the lyrics. Overall, “Faker” shows how The Laikers can mix meaningful themes with a punchy, enjoyable sound that sticks with you.
“The DF” by Dean Antoniis a thoughtful and emotionally resonant track that blends introspection with a gentle sense of movement. Rooted in a modern singer-songwriter style, the instrumentation creates a warm and steady backdrop for the story being told. Soft guitar or piano lines sit beneath subtle atmospheric layers, giving the song an open, spacious feel that allows the emotion to come through clearly without ever becoming overwhelming.
The lyrics focus on recovery from addiction, adding even more depth to the track. Antoni’s vocal delivery carries a sense of vulnerability and honesty, as if he’s working through the lingering weight of past struggles. There’s a bittersweet tone in his voice—reflecting the pain of what he’s been through, but also the cautious hope of moving forward. The pacing is unhurried, allowing each line to settle and providing space for the emotional gravity of the subject matter. Subtle harmonies and gentle rises in the arrangement highlight moments of reflection, strength, and uncertainty. The track ultimately feels like a quiet statement of resilience. It captures the complicated process of healing—acknowledging the darkness while still choosing to grow beyond it.
The lyrics focus on recovery from addiction, adding even more depth to the track. Antoni’s vocal delivery carries a sense of vulnerability and honesty, as if he’s working through the lingering weight of past struggles. There’s a bittersweet tone in his voice—reflecting the pain of what he’s been through, but also the cautious hope of moving forward. The pacing is unhurried, allowing each line to settle and providing space for the emotional gravity of the subject matter. Subtle harmonies and gentle rises in the arrangement highlight moments of reflection, strength, and uncertainty. The track ultimately feels like a quiet statement of resilience. It captures the complicated process of healing—acknowledging the darkness while still choosing to grow beyond it.
